By Jarred Tabor The combination of Anderson’s shot and blocking techniques give his…
Critical Gaze,Kill Your Godarlings
Critical Gaze,Loose Canon
By Bri Bishop The evil adolescent and the witch archetypes of the modern monstrous…
Critical Gaze
(The Essential Student Filmmaking Guide) By Brandon Rosas In an era where conformity…
Ticket Stubs
Notable film reviews from 2023, written by UNG alumni, students, and faculty. All of Us…
Ticket Stubs
By Ana Mackenzie During the postwar renaissance of avant-garde film in the United States, Frank…
Rules of the Game
By Caleb Brooks The sociolinguistic features of the Japanese language carry different implications to…
Ticket Stubs
The editors of Day for Night have gathered to contribute five reflections to celebrate the…
Kill Your Godarlings
In a conversation between our editors, we discuss and analyze director Olivier Assayas’ HBO series Irma Vep.
Writers Den
Hollywood, an angel gone roguewhere nepotism is now in vogue,run by stockholders with grins of…
Intermedial Mixtape,Kill Your Godarlings
“Let us take a sightseeing tour,” says the bicycling journalist Herbsaint Sazerac (Owen Wilson) to viewer in Wes Anderson’s latest film The French Dispatch. Yes, let’s.