Author Archives

Archive of the posts written by author : Day for Night.

Abject Horror & The Monstrous Feminine: a video essay

 By Bri Bishop     The evil adolescent and the witch archetypes of the modern…

Sugma 34 Manifesto, 2024

(The Essential Student Filmmaking Guide) By Brandon Rosas     In an era where conformity…

Day for Night’s Notable Films of 2023

Notable film reviews from 2023, written by UNG alumni, students, and faculty. All of Us…

Art in Cinema: How Frank Stauffacher Created an Audience for Experimental Film in America

By Ana Mackenzie During the postwar renaissance of avant-garde film in the United States, Frank…

Sociolinguistic Significance in the Yakuza Series

By Caleb Brooks   The sociolinguistic features of the Japanese language carry different implications to…

Day for Night’s Best Films of 2022

The editors of Day for Night have gathered to contribute five reflections to celebrate the…

An Irma Vep “Revamp”

In a conversation between our editors, we discuss and analyze director Olivier Assayas’ HBO series Irma Vep.

Hollywood

Hollywood, an angel gone roguewhere nepotism is now in vogue,run by stockholders with grins of…

A Tour Through The French Dispatch

“Let us take a sightseeing tour,” says the bicycling journalist Herbsaint Sazerac (Owen Wilson) to viewer in Wes Anderson’s latest film The French Dispatch. Yes, let’s.

Lingering Histories

A poem inspired by the works of filmmaker Ingmar Bergman.