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			<title>Day for Night&#8217;s Best Films of 2022</title>
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			<title>Day for Night&#8217;s Notable Films of 2023</title>
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			<guid><![CDATA[https://dayfornightjournal.com/sociolinguistic-significance-in-the-yakuza-series/]]></guid>
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			<title>Sociolinguistic Significance in the Yakuza Series</title>
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			<title>Art in Cinema:  How Frank Stauffacher Created an Audience for Experimental Film in America</title>
			<pubDate><![CDATA[Tue, 24 Jun 2025 17:03:36 +0000]]></pubDate>
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			<title>Abject Horror &#038; The Monstrous Feminine: a video essay</title>
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			<title>Sugma 34 Manifesto, 2024</title>
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			<title>Attribution</title>
			<pubDate><![CDATA[Thu, 26 Feb 2026 07:37:55 +0000]]></pubDate>
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			<title>Hollywood</title>
			<pubDate><![CDATA[Fri, 12 May 2023 15:05:10 +0000]]></pubDate>
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			<title>An &lt;i&gt;Irma Vep&lt;/i&gt; &#8220;Revamp&#8221;</title>
			<pubDate><![CDATA[Tue, 14 Feb 2023 19:52:13 +0000]]></pubDate>
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			<title>Day for Night&#8217;s Notable Films of 2024</title>
			<pubDate><![CDATA[Mon, 23 Jun 2025 13:55:28 +0000]]></pubDate>
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			<title>Chloe Kwiatkowski</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:56:30 +0000]]></pubDate>
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			<pubDate><![CDATA[Fri, 12 May 2023 14:52:29 +0000]]></pubDate>
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			<title>A Tour Through &lt;i&gt;The French Dispatch&lt;/i&gt;</title>
			<pubDate><![CDATA[Fri, 10 Feb 2023 20:09:07 +0000]]></pubDate>
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			<title>Brendan Garanyi</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:56:58 +0000]]></pubDate>
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			<title>Trevor Young</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:55:02 +0000]]></pubDate>
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			<pubDate><![CDATA[Mon, 06 Dec 2021 17:53:52 +0000]]></pubDate>
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			<title>Lingering Histories</title>
			<pubDate><![CDATA[Fri, 16 Dec 2022 22:38:03 +0000]]></pubDate>
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			<title>&lt;i&gt;Harold and Maude&lt;/i&gt;: Hal Ashby&#8217;s Bittersweet Sensorium</title>
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			<title>The Fracturing of German Expressionism</title>
			<pubDate><![CDATA[Fri, 12 May 2023 14:57:42 +0000]]></pubDate>
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			<title>Dr. Yelizaveta Moss</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:52:00 +0000]]></pubDate>
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			<title>Kai Walker</title>
			<pubDate><![CDATA[Fri, 12 May 2023 14:49:39 +0000]]></pubDate>
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			<title>Ticket Stubs</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:47:45 +0000]]></pubDate>
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			<title>Intermedial Mixtape</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:41:44 +0000]]></pubDate>
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			<guid><![CDATA[https://dayfornightjournal.com/sections/loose-canon/]]></guid>
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			<title>Loose Canon</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:38:24 +0000]]></pubDate>
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			<title>Critical Gaze</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:36:38 +0000]]></pubDate>
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			<guid><![CDATA[https://dayfornightjournal.com/sections/rules-of-the-game/]]></guid>
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			<title>Rules of the Game</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:19:48 +0000]]></pubDate>
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			<title>Submit</title>
			<pubDate><![CDATA[Fri, 10 Feb 2023 20:25:56 +0000]]></pubDate>
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					<item>
			<guid><![CDATA[https://dayfornightjournal.com/sections/shot-reverse-shot/]]></guid>
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			<title>Shot/Reverse Shot</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:16:51 +0000]]></pubDate>
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			<guid><![CDATA[https://dayfornightjournal.com/sections/kill-your-godarlings/]]></guid>
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			<title>Kill Your Godarlings</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:12:20 +0000]]></pubDate>
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			<guid><![CDATA[https://dayfornightjournal.com/the-man-behind-the-curtain-exploring-the-intersection-of-empire-and-entertainment/]]></guid>
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			<title>The Man Behind the Curtain: Exploring the Intersection of Empire and Entertainment</title>
			<pubDate><![CDATA[Fri, 16 Dec 2022 22:38:51 +0000]]></pubDate>
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			<title>About</title>
			<pubDate><![CDATA[Mon, 06 Dec 2021 17:00:35 +0000]]></pubDate>
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			<title>Categories</title>
			<pubDate><![CDATA[Thu, 19 Aug 2021 20:15:20 +0000]]></pubDate>
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			<title>Eclectic Roundness: &lt;i&gt;Tamako Market&lt;/i&gt; as a Thesis on Moé</title>
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